In the impoverished suburb of Shahdara in Lahore, a magnificent page of history revolves around the hubbub of the present. For in this district – where the Metro buses meet the end of their slippery lane, the railways break down poor settlements and rickshaws that pass at any time of the day – are the tombs of two of the most historical figures of the Mughal bloodline.
Emperor Jahangir and his wife Nur Jahan are both buried here, in very close but very different tombs, and their last resting places have their own stories to tell. Hitch A Hike provide Best and Cheap Tour Packages In Lahore. Now you can’t miss the chance of this historic place with Hitch A Hike.
Jahangir’s tomb is said to be the second most magnificent Mughal structure, which only the Taj Mahal has shamed. It was built under the supervision of his wife Nur Jahan, who survived the eighteen-year-old king. Upon entering the complex, you land in the middle, surrounded by the Akbari Sarai, who was then converted by the British into railway warehouses. The complex extends on both sides. A passage next to the mosque leads you to the tomb of Asif Khan, brother of Nur Jahan and minister of the Jahangir government.
The tomb of Jahangir, the main attraction of the place, is located on a separate ground and is much better maintained than most of the historical sites of the region. The tomb is adorned with precious stones and precious stones, although most of them were looted during Sikh rule. The intricate frescoes on the wall and the magnificent marble work on the roof make it a sight to behold.
Nur Jahan’s grave shivers compared to Jahangir’s. Its appearance and structure are much blander, and the Punjab government has done well to extend its difficulties. There are no tickets in place. The tomb has no demarcated boundaries and serves primarily as a cricket ground for locals.
It is ironic, really, how an average king makes himself a masterpiece, and the strongest woman in the Mughal chronology is unable to carry this force to his enduring home.
However, these tombs represent much more than we perceive. The geometric precision and architectural mastery of the Mughals are expressed quite strongly in these two structures – and the fables attached to the tombs add a lot to the charm. Like the rest of the story, the supposed facts may not be verified, but they are nevertheless a fascinating reading.
The construction of Jahangir’s tomb is attributed to his son Shah Jahan or his wife Nur Jahan, most historians weighing against him. The construction of the mausoleum took ten years and cost one million rupees. It is said that Jahangir, who had lost all his heart in the face of the magnificence of Kashmir, wanted to be buried there. But Nur Jahan, unwavering, would not have it otherwise – she wanted her remains buried in Lahore.
Legend has it that Nur Jahan separated Jahangir’s gashes, sending parts of his body to be buried in Kashmir and ensuring the safety of his bones for the great tomb of Lahore. In the absence of heritage policies, it is possible to enter the closed parts of the tombs by corrupting the guards. The roof is remarkable, with a complex marble work on the ceiling that looks like a Persian carpet.
The minarets are also accessible and it is a fun fact: the Badshahi Mosque is opposite the tomb of Jahangir, on the other side of the Ravi River. And these structures were built in such a way that only three minarets of the tomb are visible from the mosque and vice versa.
Nur Jahan’s grave lasted only four years, and this too with a meager sum of Rs. 300,000. She is buried with her daughter Ladli Begum. During the reign of the Sikhs, their coffins were looted from all the precious objects and the remains were buried again. Fearing the dark, Nur Jahan had wanted her grave to always receive natural light.
There are windows on either side of the underground room, bathing the tomb in sunlight at dawn and dusk. The epitaph on his grave is melancholy: “On the grave of this poor stranger, let there be no lamp or pink. Do not let the butterfly’s wing burn or the nightingale sing. ”
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